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AWESOME! |
She is AWESOME. Not only does she plays drums for the inimitable Girl Trouble, she also runs a fantastic and important website called Never Pay To Play:
http://neverpaytoplay.com/
The concept of pay to play is simple. From Never Pay To Play:
"The transfer of money from an artist to a promoter before playing. The term pay-to-play is used to describe a performance where an artist (primarily applies to musicians) turns in money before taking the stage. This payment can originate either directly from the artist or be collected from the artist through the sale of tickets (aka pre-sale). All or the majority of the collected funds go to an independent promoter or to a pay-to-play club."
In other words, you are paying the promoter to allow your band to play a club. Companies like Gorilla and Afton (and many, many, many more) are essentially using bands to do all the dirty work while they sit back and collect a paycheck. It's disgusting, demeaning and degrading. They twist everything around to make it look as if they're doing the bands a huge favor when they're really victimizing bands for profit.
What's worse is these companies are total *ssholes about it. Check out this email from an Afton employee to a kid whose band didn't play the game the Afton way:
Hey (name withheld),
Are you kidding me? The arrogance is mind boggling. You can tell the attitude is that the bands are working for the promoter, which is not at all the way it's supposed to be. See, they're called promoters for a reason. Their job is to line up bands to play shows then PROMOTE those shows. That's why they're called promoters.
And some promoters in the pay to play game do promote their shows. That's true. But it is indisputable that pay to play hurts bands and only benefits promoters. I can't stress this enough; you are paying the promoter for the privilege of doing their job for them.
The problem is, a lot of young bands come out the gate wanting shows real bad and they get the impression this is the only way they're going to get them. These jerks are capitalizing on the desire a band has to play their music for people. If there are venues that will book you without a pay to play policy, play those venues! If not, look into renting a venue with some other bands or do it yourself and put on your own show. It's easy! You can do it!
When you're in a band, doing business with crooks is no different than in any other industry. Ultimately, you will get burned.
I've been playing live shows in bands for over twenty years and I have never done a pay to play show. The first time I was approached for a pay to play show I literally laughed in the guy's face. I couldn't believe someone was asking me to pay them to have my band play a venue. The idea is so penultimately opposite of the way it's supposed to work. You want me to advertise and promote the show, load up our gear, bring it to the venue, set it up to play the songs we worked hard on, break down our gear, go home and pay you to do it?!? How about I pick up your dry cleaning, make your dinner, raise your kids and f*ck your wife while I'm at it, you f*cking leach?
All of these submorons have the same bad attitude that they're doing you a favor. They climb up on that high horse, talk down to you and act like they know how to help you succeed if you just play the game their way. Check out this do and don't list from Bmore Bandbooking's Facebook page:
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How to make a promoter happy at your expense. |
Don't buy your own tickets? There shouldn't be any damned tickets in the first place! If you want tickets sold, you sell the damned things, promoter! How do the other bands benefit from you not selling tickets? How does anyone but the promoter benefit from you selling tickets? And buddy, don't tell me what a band is or isn't. Sure, there's work involved but if it wasn't fun, I wouldn't bother. The tone of this rules list is condescending and the logic is twisted.
Back to Bon:
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Y'know, the awesome one. |
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